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Copyright 2022, Ian Hicks

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T he 64 T etrahedon G rid

"The 64 Tetrahedron Grid has all the elements necessary for me to be able to map out and describe the structure of the vacuum - the key to the knowledge necessary to understand creation."
Nassim Haramein

The 64 Tetrahedron Grid
HARD | 66 STEPS

Developed by Nassim Harramein, the 64 Tetrahedron Grid is theorised to describe the structure of space or the vacuum. It is the core concept of a Grand Unified Theory between quantum theory and with Einstein's general theory of relativity. The 64 Tetrahedron Grid is an evolution of the Vector Equilibrium - Isotropic Vector Matrix system brought forward by Buckminster Fuller. However it differs to this system in that a dual IVM is added so that a balance in polarity is produced for spin.

The Isotropic Vector Matrix
MEDIUM | 31 STEPS
The IVM and it's dual IVM
MEDIUM | 31 STEPS
The Vector Equilibrium
HARD | 55 STEPS

We begin with Buckminster Fuller's synergistic geometry and his Vector Equilibrium (VE), representing the Universe and consisting of 8 inward pointing tetrahedrons. This is a non-polarised state of equilibrium representing the dynamic of energy going towards the singularity at the center. By adding a dual outward pointing tetrahedron, we begin the process of polarising the VE. Doing this for all eight tetrahedrons results in the 64 Tetrahedron Grid.

Inward Pointing Non-polarised VE
MEDIUM | 31 STEPS
VE with 1 outward pointing dual Tetrahedron
HARD | 55 STEPS
Polarised VE with 8 dual Tetrahedrons
HARD | 55 STEPS

View 1 3D
HARD | 66 STEPS

View 2 3D
HARD | 62 STEPS

View 3 3D
MEDIUM | 31 STEPS

View 4 3D
MEDIUM | 35 STEPS

View 1 2D
HARD | 51 STEPS
View 2 2D
HARD | 55 STEPS
View 3 2D
MEDIUM | 31 STEPS
View 4 2D
HARD | 55 STEPS

The 64 Tetrahedron Grid now has a balance of polarity in the following ways: The first way is that there are 32 upward pointing and 32 downward pointing terahedrons. The second way is that we have 8 outward pointing and 8 inward pointing tetrahedrons representing the contracting (gravitational) and expanding (radiational) dynamics. These 16 tetrahedrons are twice the size of the other 64 tetrahedra and form 8 Star tetrahedrons and 1 prime star tetrahedron.

The Prime Star Tetrahedron
MEDIUM | 31 STEPS
8 Star Tetrahedrons
HARD | 55 STEPS

The 64 Tetrahedron Grid is a 3D fractal strutcure that grows or divides by octaves, meaning it doubles or halves its volume. It defines the divisions of space which form the boundaries of all structures from infinetly large to infinetly small. This would suggest that it is negative space which defines boundaries, rather than the positive space.

The Fruit of Life
Octave Division
MEDIUM | 31 STEPS
The Vector Equilibrium
Octave Division
HARD | 55 STEPS

Sphere Octave Division
MEDIUM | 31 STEPS

Tetrahedron Octave Division
HARD | 55 STEPS

Cube Octave Division
HARD | 55 STEPS

Octahedron
Octave Division
MEDIUM | 31 STEPS
Icosahedron
Octave Division
HARD | 55 STEPS
Dodecahedron
Octave Division
HARD | 55 STEPS

If space is shaped like a vector equilibrium which is capable of dividing to the planck scale, then this would suggest the infinite density of a singularity at it's center. These mini-black holes exisitng at the quantum level would then be the source of all gravity. This idea is further supported by the balance of inward (gravitational) and outward (radiational) pointing tetrahedral dynamics, forming the boundary of the event horizon. With the vector equilibrium structure, all forces are cancelled out, producing what appears as "empty" space.

Tree of Life
MEDIUM | 31 STEPS
8 Star Tetrahedrons
HARD | 55 STEPS
8 Star Tetrahedrons
Compressed Inwards
HARD | 55 STEPS

When the gyroscopic effect (torque and the coriolis effect) is added to General Relativity, the black hole is no longer shaped like a sphere, but like a double torus. At the center of the torus is space or singularity. Each IVM of the prime star tetrahedron represents a polarity of the coriolis effect. When they come together to form the vector equilibrium at the centre, the double torus and the singularity are produced. All of Creation then emerges from within this singularity.

VE Torus
MEDIUM | 31 STEPS
The Isotropic Vector Matrix
MEDIUM | 31 STEPS
The IVM and it's dual IVM
MEDIUM | 31 STEPS

Double Torus View 1
MEDIUM | 31 STEPS
Double Torus View 2
MEDIUM | 31 STEPS
Double Torus View 3
MEDIUM | 31 STEPS
Double Torus
with Spheres View 1
MEDIUM | 31 STEPS
Double Torus
with Spheres View 2
MEDIUM | 31 STEPS
Double Torus
with Spheres View 3
MEDIUM | 31 STEPS
Torus
MEDIUM | 31 STEPS
Torus with Spheres
MEDIUM | 31 STEPS
Combined Torus
with Spheres View 1
MEDIUM | 31 STEPS
Combined Torus
with Spheres View 2
MEDIUM | 31 STEPS
Genesis Pattern
MEDIUM | 31 STEPS

T he S chwarzschild P roton

Nassim Haramein's paper "The Schwarzschild Proton" presents a new solution for the mass of the proton that is much heavier than that which the standard model predicts. While the standard proton has a mass grams, the proton that Nassim Haramein's equations describe have a mass of grams - a difference of 38 orders of magnitude. Click the button below to step through each equation in Geogebra's Computational Algebra System and test the veracity of this paper.

The Schwarzschild Proton

Q uantum G ravity and the

H olographic M ass

Nassim Harramein's paper Quantum Gravity and the Hologarphic Mass find's an exact quantized expression of the Schwarzschild solution to Einstein’s field equations utilizing spherical Planck units in a generalized holographic approach. He considers vacuum fluctuations within volumes as well as on horizon surfaces, generating a discrete spacetime quantization and a novel quantized approach to gravitation. Click the button below to step through each equation in Geogebra's Computational Algebra System and test the veracity of this paper.

Quantum Gravity and the Hologarphic Mass

M etatron's C ube

Sacred geometry involves sacred universal patterns used in the design of everything in our reality, most often seen in sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology.

M usic

Sacred geometry involves sacred universal patterns used in the design of everything in our reality, most often seen in sacred architecture and sacred art. The basic belief is that geometry and mathematical ratios, harmonics and proportion are also found in music, light, cosmology.

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3D Viewer - The 13 Information Systems of The Fruit Of Life

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PERFORMANCE
FOG
DUST
SPOTLIGHT
ORBS
LIGHT RAYS
AUTO-ROTATE
HOLOGRAM
2D GEOMETRY
3D GEOMETRY
3D OUTLINE
FRUIT OF LIFE
OPAQUE
TREES OF LIFE
DOUBLE TORUS